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Twentieth-century America reduced Vietnam to "'Nam": the surreal site of a military nightmare. The early twenty-first century has seen the revision of this image to recognize the people and culture of Vietnam itself. Vietnamese Americans, both immigrants and the American children of immigrants, have participated in changing this perception, consistently presenting their side of the story in memoirs published since the 1960s. My Viet is the first anthology to provide a comprehensive overview of these memoirs and the historical picture they offer and to include Vietnamese writing that goes beyond memoir, revealing a new generation of Vietnamese American poetry, fiction, and drama.The narratives in Part 1, Tales of Witness, treat the major events of the Vietnamese diasapora: Vietnam's resistance to French colonization, the "Vietnam War," post-war Vietnamese life, immigration to and life in America, and reconnections with contemporary Vietnam. Part 2, Tales of Imagination, moves beyond the master narratives of war and immigration to survey exciting innovations in the work of Vietnamese American writers. The texts demonstrate the full flowering of Vietnamese American literature in English and are among the best contemporary writings of any category.My Viet presents a rich, varied, and provocative collection of literary work that explores Vietnam from many Vietnamese points of view, sees America through a specifically Vietnamese American lens, and broadens the scope of Vietnamese American literature to its fullest extent.
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Arts --- Literature --- Asian American authors
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American literature --- American literature --- African American authors --- African Americans --- African American authors --- African American authors --- Intellectual life
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Winifred Sanford is generally regarded by critics as one of the best and most important early twentieth-century Texas women writers, despite publishing only a handful of short stories before slipping into relative obscurity. First championed by her mentor, H. L. Mencken, and published in his magazine, The American Mercury, many of Sanford’s stories were set during the Texas oil boom of the 1920s and 1930s and offer a unique perspective on life in the boomtowns during that period. Four of her stories were listed in The Best American Short Stories of 1926. Questioning the sudden end to Sanford’s writing career, Wiesepape, a leading literary historian of Texas women writers, delved into the author’s previously unexamined private papers and emerged with an insightful and revealing study that sheds light on both Sanford’s abbreviated career and the domestic lives of women at the time. The first in-depth account of Sanford’s life and work, Wiesepape’s biography discusses Sanford’s fiction through the sociohistorical contexts that shaped and inspired it. In addition, Wiesepape has included two previously unpublished stories as well as eighteen previously unpublished letters to Sanford from Mencken. Winifred Sanford is an illuminating biography of one of the state’s unsung literary jewels and an important and much-needed addition to the often overlooked field of Texas women’s writing.
Authors, American --- Sanford, Winifred M., --- American authors
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This volume brings together contemporary plays written by artists of Korean descent living in the Americas. The plays address the complex experiences of diaspora, from matters of immigration and cultural assimilation to home and belonging. In her introduction, Esther Kim Lee outlines the critical issues addressed by the playwrights and offers context for understanding the place of drama in representing the Korean diaspora. The book will be ideal for teaching and should also appeal to a general readership interested in drama and Asian American literature.
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